Tuesday, May 12, 2015
4 Papers
Artist Demonstration
I know absolutely nothing about clay
or molding, to me it seemed like an art form that my generation might have
skipped over. Walking into that room I feel I might have been right, most
everyone in there doubled my age at least. But that’s not to knock the trade,
just an observation. Anyways I had come in after my classes about half way
through the hours long demonstration she was giving - and she was still just
mixing the right blend of materials. As she mixed the clay together in giant
buckets she described what exactly she was using and how adding different
amounts of water would affect the final product. It all seemed like terribly
tedious work. Once enough was mixed she began to pile it up and give it shape.
She continued telling us how to layer it as to not get any bubbles in her mold
as that would come back to ruin the piece
once you put in into bake. Carefully she spread layer after layer of the
thick clay over her piece, saying how you had to go over it many times with
thin layers to give its form thickness and strength. This tedious process was
done over and over until more clay had to be made so she could do it some more.
This took a painfully long time, until finally she told us it was time to bake.
Since this was a demonstration she drew us up a helpful chart showing how long
something would have to bake for depending on its weight and how much clay was
used. This also depended on what you were making and the materials used. Since
she was using the piece she made a mold, the bake time would be determined by
what material you were putting inside. Over all I found this demonstration very
informative, but not very interesting. Clay working simply doesn’t have that
wow factor for a neophyte to walk in and leave overly impressed. But I was glad
for the experience of learning what I did.
Artist Presentation
If watching the actual process of
clay making lacked the wow factor then a presentation of the finished work
certainly picked up the pace. The forms of some of her pieces were truly
inspiring. While she talked us through her career, she showed pieces of her
work that were made during the talked about period of her life and how the
events happening influenced her work. This made for a very interesting presentation
that showed her changing process as an artist from the start of her career
until now. She talked about how she started her work using clay exclusively,
but over time in order to help push her work to the next level she began
incorporating other materials like metal. She learned to do this while at an
artists retreat, a place where her and a few other artist would stay to solely
focus on their craft day and night. A friend of hers she had met there worked
almost exclusively with metals and was a master at molding it. In the time they
spent there together he pushed her to bring her work to the next level by
showing her how to effectively work with metals.
The Inspiration for a lot of her work
came from her father who fell ill to cancer. Her sculptures were made to
resembled cell bodies and the cell division process. Many of the forms she
would make were things seen from a microscope looking at cancerous cells. These
forms became increasingly complex as her career when on. Especially once she
learned to work with and combine different materials. The strength of metal
allowed her work to take shapes previously impossible to make by only using
clay. Overall I really enjoyed her presentation and her work, more so then if I
was to see a few pieces in a gallery. By having the artist’s life story as a
backdrop for her work it made me look it in a different way than if I were to
just see the finished product.
The Yes Men Fix the World
I really
liked this film. I’m also a little surprised that I had never even heard of the
yes men before this. With all the high publicity stunts they had pulled over
major world corporations, I would think that word might have reached me at some
point. Anyways I found their unique way of approaching corporations about
environmental and economic issues with humor to be strangely refreshing. Every
issue addressed was no doubt a serious matter and when it came to talking to
the victims themselves they were sensitive and sincere. But in the conferences,
I think their semi-serious tone and ridiculous presentation ideas worked out
perfectly. Just believable enough to get by, yet silly enough to get a laugh
from those who knew what was really going on. Despite them concluding all their
endeavors to be a failure, I think that they succeeded in restarting discussion
over many of these issues that had previously been in the limelight, only to be
pushed aside and forgotten without a solution. This form of activism, I think,
is miles above the traditional protesting and rioting that have resulted from
other similar matters. By fighting with humor instead of fire, the issue could
be brought to the limelight without violence or hatred towards the companies
responsible, which would only serve to derail the discussion from the issue at
hand.
Over the
course of the movie, they connected each issue found all back to corporate
greed, but didn’t stop there. They explained how, while these companies were
responsible, they were trapped in a way by the market system into doing these
things simply because it was the profitable thing to do. The end goal of a
business is to make money, and with the way our current system is set up there
are simply too many incentives to do the wrong thing.
Waste Land
This film
followed Vik Muniz on his journey through Jardim Gramacho (the world’s largest
landfill) right outside of Rio de Janeiro. He examines what daily life is like
for these people by focusing in on the personal stories of a handful out of the
thousands of people who make a living in Jardim Granmacho by picking out and
sorting the recyclable material. Many of them are there by unfortunate
circumstance and make the best of a bad situation. Despite working among
mountains of trash, many of them take pride in their work as “pickers” because
they are making an honest living as opposed to getting involved in the
extensive drug trade or prostitution. After taking pictures and videos of the
pickers salvaging the trash, he brings a few back with him to his studio to
help him complete his work. Picking out the best of the photos taken, he blows
them up on the floor of his warehouse studio and helps direct the pickers in
recreating the picture out of recyclable materials collected from Jardim
Gramacho. Once complete, a professional quality overhead photo is taken and
framed. These pictures are then auctioned off in London at an auction house
with all the money going back to the pickers union to help improve quality of
life for the workers.
This
film was a very moving story, for a well off artist to come back to where he
grew up and not only help out the people still struggling there but to show
them their worth by guiding them in creating art out of the materials they deal
with every day. It was touched on briefly in the movie, that they feared
bringing the pickers to the studio or London would open their eyes to how bad
their life was back at the dump. That they were simply living in denial before
and now they would not want to go back to Jardim Gramacho. But Muniz dismissed
this idea and was right to do so. The pickers returned to their home with
newfound resolution and the funds to finally begin making a change for the
better. The $50,000 from the auction went to better equipment for the workers,
a learning center for their children, and a proper library for all the books
they had been collecting at the dump. Every one of their lives had been changed
by this gracious act of Muniz.
Sunday, May 10, 2015
Wednesday, April 22, 2015
Wednesday, April 1, 2015
When deciding on my process for making this video, the idea of having everything be completely random worried me a little. Not because it would come out weird, but because there would be no way I could say that this was mine. By following a random process anyone could happen to come up with the same weird thing. Worse if it did come out good because I couldn't take credit for that either.
But that was the assignment, so I came up with a compromise.
To start I chose twenty objects, that became ten groups of two. A coin was flipped for each group, with only one of the objects in each group being filmed. Being left with ten clips, each got an option of two video effects that could be put on it and a coin was flipped to decide for each. And that is the process for this video. I chose this because it felt to me like a fair compromise of the artist's choice and a twist of fate. And I cannot say I'm unhappy with the result.
Wednesday, March 4, 2015
Wednesday, January 28, 2015
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